Saturday 30 November 2013

bharathiyar poems

  1. Pennu Vidhuthalai

    Veedu Thalaikku Magalirelloram
    Vetkai Kondanam Velluvam Endre
    Thidam Thaithin Madhukinnana Meedhu
    Sernthu Naambir Thikkkinnai Seivom
    Udai Valasakthi Aan pennirendum
    Oru Neekarseiy Thurimai Samaithaal
    Idaiyile patta Keezhnilai Kandeer
    Idharku Naamoru Pattiirupoma?
    Thiramaiyaal Ingu Menilai Servom
    Thee Pandai Igazhchikkal Dheippom
    Kuraivi Laadhu Muzhunigara Nammai
    Kolva Raanak lenilava Rottum
    Sirumai Thernann thaaithiru Naatai
    Thirumba Velvathil Sernathinn Kuzhaippom
    Aravi Munthathu Pandai Vazhakkam
    Aanukku Penn Vilangenum Aadhe
    Vidiyum Nalloli Kaanuthi Nindre
    Mevu Naaku Rigampudhi Thondre
    Kodiyar Nanmai Adimaigal Endre
    Kondu dhaam Mudhal Endrna Rendre?
    Adiyo Tandh Vazhakathai Kondre
    Arivu Yaavum Paiyirchiyil Vendre
    Kadamai Seiveernu Desathiku Veraku
    Kaari Kaikanandhu Theeri thunivuthre

  2. Achchamillai

    Achchamillai Achchamillai Achchamemba thillaye
    Ichakka thallorellam Edhirthu Nindra Pothilum
    Achchamillai Achchamillai Achchamemba thillaye
    Thuchchamaaga Yenni Nammai thoor Seitha Pothinum
    Achchamillai Achchamillai Achchamemba thillaye
    Pitchai Vaangi Unnum Vaazhkai Petru Vitta Pothilum
    Achchamillai Achchamillai Achchamemba thillaye
    Ichchai Konda Porulellam Izhantha Vitta Pothilum
    Achchamillai Achchamillai Achchamemba thillaye
    Kachaninthu Kongai Maathara Kangal Veesu Pothinum
    Achchamillai Achchamillai Achchamemba thillaye
    Nachchai Vaayile Konarandhu Nanba Ruttu Pothinum
    Achchamillai Achchamillai Achchamemba thillaye
    Pachchai uniyaindhu Vera Padaigal Vantha Pothilum
    Achchamillai Achchamillai Achchamemba thillaye
    Uchchi meedhu Vaana idinthu Veezhukindra Pothinum
    Achchamillai Achchamillai Achchamemba thillaye
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  3. Vande Maatharam

    Raagam- Nadanaama kriya
    Thalam- Aadi

    Pallavi
    Vande Maatharam Enbom
    Engal Maanila Thaaiyai Vananguthal Enbom


    Saranam
    Jaathi Mathangale Paarom
    Uyiru Janmam Ithu Desathil Yeithin Raayin
    Vedhiya Raayinum Ondre
    Andri Veru Kulathin Raayinum Ondre
    (Vanthe)
    Eenbu Paraiyarakka Lenum
    Avar Emmudan Vaazhnthinu Kiruppavar Andro ?
    Sinthta Raayiveedu Vaaro?
    Pir Desaththar Porrpala Theenkizhaipu Paaro ?
    (Vanthe)
    Aayiram Undinangu Jaathi
    Yennil Anniyar Vanthu Pugalyenn Needhi
    Oru thaayin Vayatril Piranthor
    Thammul Sandai seythaalum Sagotharar Andro ?
    (Vanthe)
    Ondru Pattaal Undu Vaazhve
    Nammil Ottrumai Neengil Anaivarukkum Thaazhve
    Nandri therindhidal Vendum
    Indha Gnanam Vandaatru pin Namakku ethu vendum?
    (Vanthe)
    Yeppatham Vaayithittu Menum
    Nammil Yaavarukkum Antha Nilai pothu aagum
    Muppathu Kodiyum(Read Ko as Colleague) Vaazhuvom
    Vizhiyil Muppathu kodi Muzhumaiyum Veezhuvom
    (Vanthe)
    Pulladi MaiThozhil Penee(Read Pe as Pale)
    Pandu(Pa as Pagal) Poyin Naatkaluku Kinimanam
    Naani thollai Igazhuchigal Theera
    Intha Thondu Nilai Meiya Thoovendru thallee
    (Vanthe)

  4. Sentamizh naatenum Bodhinile
    Inba Thenvandhu Paayuthu Kaathinile
    Engal Thanthaiyar Naatendru Pechinile
    Oru Sakthi Pirakithu Moochinile
    ( Sentamizh )
    Vedam Nirainthu Tamizhnadu
    Uyi Veeram Serinthu Tamizhnadu
    Nalla Kaadhal Puriyum Arampayerpol
    Ilang-Kanniyar Suzhundha Tamizhnadu
    ( Sentamizh )
    Kaaveri Then pennai Paalaru
    Tamizh Kandhathor Vaiyai Porunai nadhi
    YenMevi yaaru Palavodath
    ThiruMeni Sezhitha Tamizhnadu
    ( Sentamizh )
    Muthamizh Maamuni Neelavaraiya
    Nindru Moiyyampurakka Kaakum Tamizhnadu
    Selvam Ethannai Unndu Puveemeethe
    Avai Yaavum Padaitha Tamizhnadu
    ( Sentamizh )
    Neela Thirai Kadallorathile
    Nindru Niththam Thavanseiya Kumari yellai
    VadaMaalavan Kundram Ivathriidaye
    Pugazhu Mandi Kidakkum Tamizhnadu
    ( Sentamizh )
    Kalvi Sirantha Tamizhnadu
    Pugazhuku Kamban Pirantha Tamizhnadu
    Nalla Palvithu maayin Saathirathin
    Manam Paarengum Veesun Tamizhnadu
    ( Sentamizh )
    Valluvan Thannai Ulaginakke
    Thanthu Vaanpugazh Kondu Tamizhnadu
    Nenjai Allum Silapathikaaramendror
    Mani Yaaram Padaitha Tamizhnadu
    ( Sentamizh )
    Singalam Puttapagam Saavaga
    Maathiya Theeva Balaveenanju Sendreri
    Angu Thangal Pulikodi meenkodiyum
    Nindru Saalpurakka Kandavar Thaainaadu
    ( Sentamizh )
    Vinnai Idikkum thalayimayum
    Enum Verppai adikkum thiranudayaaru
    Samar PanniKalantha Thirulkeduthaar
    Thamizh paarthivar Nindra Tamizhnadu
    ( Sentamizh )
    Seen Misiram yavaraigam
    Innum Desam Palavum Pugazhuveesika
    Kalai gnanam Padaitha thozhil Vaanibamum
    Miga Nandru Valartha Tamizhnadu
    ( Sentamizh )
    SenTamizhnadu

Great Epics of Tamil Literature

The Five Great Epics of Tamil Literature










The Five Great Epics of Tamil Literature (Tamil: ஐம்பெரும்காப்பியங்கள்) are five large narrative Tamil epics according to later Tamil literary tradition, namely Silappatikaram, Manimegalai, Civaka Cintamani, Valayapathi and Kundalakesi.[1] The first mention of the "Aimperumkappiyam" (lit. Five large epics) occurs in Mayilainathar's commentary of Nannūl. However, Mayilainathar does not mention the names of the five epics. The names of the epics are first mentioned in the late 18th century - early 19th century work Thiruthanikaiula. Earlier works like the 17th century poem Tamil vidu thoothu mention the great epics as Panchkavyams.[2][3] Among these, the last two, namely Valayapathi and Kundalakesi are extant.[4]
These five epics were written over a period of 1st century CE to 10th century CE and act as the historical evidence of social, religious, cultural and academic life of people during the era they ere created. Civaka Cintamani introduced long verses called virutha pa in Tamil literature.,[5] while Silappatikaram used akaval meter (monologue), a style adopted from Sangam literature.
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Great Epics of Tamil Literature

According to the great Tamil commentator Atiyarkkunallar (12th-13th century CE), poems were of two kinds - sol-totar-nilai-seyyul (Tamil: சொல் தொடர் நிலை செய்யுள், poems connected by virtue of their formal properties) and porul-totar-nilai-seyyul (Tamil: பொருள் தொடர் நிலை செய்யுள், poems connected by virtue of content that forms a unity).[6][7] Silappatikaram, the Tamil epic is defined by Atiyarkkunallar as iyal-icai-nataka-polur-thodar-nilai-ceyyul (Tamil:இயல் இசை நாடக பொருள் தொடர் நிலை செய்யுள், poems connected by virtue of content that forms a unity having elements of poetry, music and drama).[6][7] Such stanzas are defined as kavya and kappiyam in Tamil. In Mayilainathar's commentary (14th century CE) on the grammar Nannul, we first hear the mention of aimperumkappiyam, the five great epics of Tamil literature.[6]
Each one of these epics have long cantos, like in Silappatikaram, which has 30 referred as monologues sung by any character in the story or by an outsider as his own monologue often quoting the dialogues he has known or witnessed.[8] It has 25 cantos composed in akaval meter, used in most poems in Sangam literature. The alternative for this meter is called aicirucappu (verse of teachers) associted with verse composed in learned circles.[9] Akaval is a derived form of verb akavu indicating to call or beckon. Silappatikaram is also credited to bring folk songs to literary genre, a proof of the claim that folk songs institutionalised literary culture with the best maintained cultures root back to folk origin.[9] Manimekalai is an epic in Ahaval metre and is noted for its simple and elegant style of description of natural scenery.[10] Civaka Cintamani is one of the earliest works of Tamil literature in long verses called virutha pa.[5]
No Name Author Notes
1 Silappatikaram Ilango Adigal Non religious work of 1st century CE[4]
2 Manimegalai Seethalai Sathanar Buddhist religious work of 1st or 5th century CE[4]
3 Civaka Cintamani Tirutakkatevar Jain religious work of 10th century CE[4]
4 Valayapathi Unknown Jain ascetic Jain religious work of 9th century CE[4]
5 Kundalakesi Nagakuthanar (Nagasena) Buddhist religious work of 5th century CE[4]

Theme

Image of Ilangovadikal, the author of Silappatikaram
The epic trio of Silappatikaram, Manimegalai and Civaka Cintamani gives a full account of Tamil concept of womanhood by powerfully and poignantly delineating the character of a chaste wife Kannagi, a brave and dutiful daughter Manimekalai and an affectionate mother in Vijayai, mother of Jivakan in the three epics respectively.[11] Silappatikaram explains the inexorable working of fate where in spite of being innocent, the hero Kovalan gets punished and the queen of Pandya loses her life along with the king when the king realises his mistake of punishing Kovalan.[12] Kannagi is regarded as a symbol of chastity and she is always associated with chasteness in Tamil literature across ages. In Manimegalai, the protagonist, Manimegalai is instructed in the various truths expounded by the teachers of different faiths.[12] Civaka Cintamani is adopted from Sanskrit Mahapurana, is predominantly sensuous, though Jain philosophy is brought to practical aspects of life.[12]

The Five epics

Silappatikaram (story of anklet) depicts the life of Kannagi, a chaste woman who lead a peaceful life with Kovalan in Puhar (Poompuhar), the then capital of Cholas. Her life later went astray by the association of Kovalan with an unchaste woman Madhavi. The duo started resurrecting their life in Madurai, the capital of Pandyas. Kovalan went on to sell the anklet of Kannagi to start a business, but was held guilty and beheaded of stealing it from the queen. Kannagi went on to prove the innocence of her husband and believed to have burnt the entire city of Madurai by her chastity. Apart from the story, it is a vast treasure of information of music and dance, both classical and folk.[13]
Manimekalai is a 5th-century Buddhist epic created by Sithalai Sathanar during the 5th century. It is believed to be a followup of Silappatikaram with the primary character, Manimegalai being the daughter of Kovalan and Madhavi. It contains thirty cantos describing the circumstances in which Manimegalai renounced the world and took the vows of Hinayana sect of Buddhism, which is followed in Burma and Sri Lanka.[14] Apart from the story of Manimegalai and her Buddhist inclination, the epic deals with a great deal with Buddha's life, work and philosophy.[13]
Civaka Cintamani, an epic of the 10th century CE was written by Thiruthakka Thevar, a Jain monk. It narrates the romantic exploits of Jeevaka and throws light on arts of music and dance of the era. It is reputed to have been the model for Kamba Ramayanam.[13] The epic is based on Sanskrit original and contains the exposition of Jain doctrines and beliefs. It is a mudi-porul-thodar-nilai-seyyul, a treatise of the fourfold object of life and aim of literary work of virtue, wealth, pleasure and bliss.[15] It is in 13 books or illambagams and contains 3147 stanzas. It is noted for its chaste diction and sublime poetry rich in religious sentiments and replete with information of arts and customs of social life.[15][16] There are many commentaries on the book, the best on the work is believed to be by Naccinarkiniyar.[16]
Kundalakesi is now extant, but quotations from it and found from references used by authors who had access to the classic.[17] The poem was used for showing the purpose of showing the advantage of Buddhist philosophy over Vedic and Jain philosophies.[17] The Jain in reply wrote Nilakesi which has opposing views to the ideologies in Kundalakesi. Kundalakesi was a Jain nun who moved around India, expounding Jainism and challenged anyone who had alternate views. Sariputra, a disciple of Buddha, took up the challenge one day and defeated Kundalakesi in debates. She renounced Jainism and became a Buddhist.[17] The author is believed to be Nagaguttanar.[17] The record of culture and Buddhist views during the era were lost with the book.[17]
Valayapathy is also an extant work and it is not certain whether it is a Buddhist or Jain work.[18] Some scholars believe it is a Buddhist work and base their claims on the quotations of Valayapathy found in other literary works.[18] The author of Valayapathy quotes from Thirukkural and it is possible that he took inspiration from it.[18]

Age and genre

Statue of Kannagi in Marina beach, Chennai
Silappatikaram and Manimegalai are accepted to be composed post Sangam period (300 BCE to 200 CE). M. Varadarajan assessed the period to be between 100-500 CE, T.P. Meenakshi Sundaram as 5th century CE, Somasundaram Pillai calls in age of Buddhism and Jainism and places between 250 CE and 600 CE and Rajamanickam places both these in the 2nd century CE.[19] Manimegalai has been accepted as a sequel of Silappatikaram and both these works are placed before the 5th century CE.[19] It is generally accepted that these works might have been composed between 200 BCE to 500 CE.[19] There is a controversy to the age of the author of Civaka Cintamani, Tirutakkatevar. There is one version that he lived before Kamban (9th century CE) as the viruttam metre, language and imagery was commonly used by Kamban. The other view is that it belongs to a period later than Kamban.[11]

Parallel with Sanskrit literature

A depiction from Silappatikaram
It was also the period when ornate Sanskrit literature evolved and shared major features with Tamil literature. The period of Pallava supremacy is characterized by the development of epic poetry. The use of nature to express ideas or feelings is first introduced in Silappatikaram.[20] The two Tamil epics, Silappatikaram and Manimegalai do not use the convention of regarding the land divisions becoming part of description of life among various communities of hero and heroine.[20] The epics mention the evenings and spring season in particular as time and season that aggravates the feelings in those who are separated.[20] These patterns are found only in the later works of Sanskrit by Kalidasa (10th century CE).[20] The epic style of Sanskrit was emulated with characterization of ordinary people like Kovalan and Kannagi, providing an insight into everyday life during the period.[21] Civaka Cintamani emulates Sanskrit court poetry and illustrates the heroics of Civaka, who later becomes a monk.[21] Silappatikaram posts a line of development of long poetic sequence in Tamil literature and downplays points of derivation from Sanskrit contemporary works like Mahakavya.[22] Silappatikaram and Manimegalai thus showed greater specialities compared to its Sanskrit counterparts during the period.[4]

Religious Treatise

The influence of Vedic religion was marked in the religious life of the people in the south. The followers of Veda often entered into dispute with rival religions like Buddhism and Jainism.[23] Hinduism was prevalent during the 1st century CE followed by Buddhism in the next three centuries and finally Jainism taking prominence during the 5th-6th centuries CE.[23] This is well illustrated in the non-religious work of Silappatikaram written during the 1st century CE followed by Buddhist work of Manimegalai and the Jain work of Civaka Cintamani. The joyous life portrayed in Sangam literature is replaced by sombre life depicted in Manimegalai.[23] It also depcits punishments to the persons, who knowing the inevitability of death indulge in crimes and carnal pleasures.[23]

Five lesser Tamil epics

Similar to the five great epics, Tamil literary tradition also classifies five more works as Ainchirukappiyangal (Tamil: ஐஞ்சிறுகாப்பியங்கள்) or five lesser epics. The five lesser Tamil epics are Neelakesi, Naga kumara kaviyam, Udhyana kumara Kaviyam, Yasodhara Kaviyam and Soolamani.[1][24]

Publishing in modern times

A palm leaf manuscript with ancient Tamil text
U. V. Swaminatha Iyer (1855-1942 CE) resurrected the first three epics from appalling neglect and wanton destruction of centuries.[13] He reprinted these literature present in the palm leaf form to paper books.[25] Ramaswami Mudaliar, a Tamil scholar first gave him the palm leaves of Civaka Cintamani to study.[13] Being the first time, Swaminatha Iyer had to face lot of difficulties in terms of interpreting, finding the missing leaves, textual errors and unfamiliar terms.[13] He set for tiring journeys to remote villages in search of the missing manuscripts. After years of toil, he published Civaka Cintamani in book form in 1887 CE followed by Silapadikaram in 1892 CE and Manimekalai in 1898 CE.[13] Along with the text, he added lot of commentary and explanatory notes of terms, textual variations and approaches explaining the context.[13]

Criticism and Comparison

"After the last line of a poem, nothing follows except literary criticism" observes Ilangovadigal in Silappadikaram. The postscript invites readers to review the work. Like other epic works, these works are criticised of having unfamiliar and a difficult poem to understand.[26] To some critics, Manimegalai is more interesting than Silappadikaram, but it terms of literary evaluation, it seems inferior.[27] The story of Manimegalai with all its superficial elements seems to be of lesser interest to the author himself whose aim was pointed toward spreading Buddhism.[27] In the former, ethics and religious are artistic, while in the latter reverse is the case. Manimegalai also criticizes Jainism while preaching the ideals of Buddhism and human interests is diluted in supernatural features. The narration in akaval meter moves on in Manimegalai without the relief of any lyric, which are the main features of Silappadikaram.[28] Manimegalai in puritan terms is not an epic poem, but a grave disquisition on philosophy.[29] There are effusions in Silappadikaram in the form of a song or a dance, which does not go well with western audience as they are assessed to be inspired on the spur of the moment.[30] According to Calcutta review, the three works on a whole have no plot and no characterization for an epic genre.[29] The plot of Civaka Cintamani is monotonous and deficient in variety in strength and character and does not stand the quality of an epic.[29]

Five Best Police Forces In The World

Five Best Police Forces In The World

Following are the top Five Best Police Forces In The World.

Royal Canadian Mounted Police – Canada

Five Best Police Forces In The World 001 600x672
The first in our list of five best polices forces in the world is Royal Canadian Mounted Police Canada (RCMP). This police force is known as Mounties among the general public and state police of Canada. It is considered to be one of the high standard and renowned police force. One thing which standards RCMP out is that; Royal Canadian Mounted Police offers not only nation wide but also international police services. It has 190 metropolises including indigenous societies along with 3 global airports. The IOB which is a part of international Police is the section of RCMP central and worldwide process directorate. There are 35 linked officers positioned in the different 25 countries who are liable to manage the concerned inquires in other various countries. They are also responsible for mounting and managing the swaps of criminal intelligence.

Scotland Yard-London

Police Forces
The second in our list of five best police forces in the world is Scotland Yard-London’s police force department. Scotland Yard which is formally known as New Scotland Yard situated in the Westminster. It is founded in 1829 and it is also the center of operations plus H.Q. of Metropolitan Police. The New Scotland Yard has turned into worldwide and global popularity as a sign of policing, and holding many capabilities. New Scotland Yard is tremendously affecting in the mentality of the community. Indeed expertise, elevated act and accuracy are the proud of (NSY)

Interpol

Police Forces
At number three in our list Five Best Police Forces In The World we have Interpol. Interpol stands for International Crime Police Organization. It is considered to be the biggest worldwide police association of all over the world having the membership of about 188 countries. Interpol came into existence in the year 1923 and since then it has made easy collaboration with police operations and to cross the border along with the help of all international organizations.

LAPD

Police Forces
At number four in the Five Best Police Forces In The World we have LAPD. Actual name of LAPDA is Los Angeles police department. This is one of the highest ranked police department in the continent of America. It is also rated to be among the highest ranked police department among the various other police departments of the world. It consists of 3000 resident staff and more then ten thousand officers. LAPD started in the year 1933 and since then it has been effectively working against crimes.

Victoria Police Of Australia

Police Forces
The last in our list of five best police forces in the world is Victoria Police of Australia. This police department came into existence on January 8,1853 and it is situated in Australia. It is also considered to me one of the largest police services around the globe. Its services are available for the Victorian public 24/7.

best theater in the world

10 of the world's most enjoyable movie theaters


1. Cine Thisio, Athens, Greece

Cine ThisioMovie magic.

Athens is home to multiple outdoor movie theaters that crop up during the summer but none provide as majestic a view as Cine Thisio.
From your seat at Cine Thisio you not only get to view the latest blockbuster but also the Acropolis, and the Parthenon that sits on top. The best view is at night.
Cine Thisio is the oldest outdoor movie theater in Athens, built in 1935, and is usually open from April to October. Cine Thisio shows both first-run studio releases and classic movies.
Apostolou Pavlou 7, Thission, Athens 11851, Greece; +30 210 342 0864; www.cine-thisio.gr

2. Alamo Drafthouse, Texas, United States

Alamo Drafthouse eventDon't worry, you don't have to dress like a hipster wrestler for all Alamo events.

It shouldn’t make sense that a movie theater chain has such street cred, but Alamo Drafthouse does. Think of it as the cool kid brother movie theater.
Alamo Drafthouse started out in Austin, Texas, and hosts a whole series of events including Heckle Vision, Quote Alongs and nights where experts rip apart Michael Bay popcorn blockbusters.
But what makes the Alamo theaters really cool are its policies: no children under the age of six, no talking, an extremely strict no-cellphone policy (as this curse-laden voicemail left by an unhappy customer demonstrates) and no ads before the movie.
This is a movie theater experience as it should be: the movie you pay for, zero annoyances and great food and beers being served to your seat.
1120 S Lamar Blvd, Austin, Texas 78704, United States; +1 512 476 1320; www.drafthouse.com
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3. Raj Mandir Theatre, Jaipur, India

Raj Mandir theaterHousing 1,200 seats, the show place for the nation.

Come here for the ultimate Bollywood experience: the national anthem at the start, a choice of expensive and cheaper seats, the three-hour Hindi flick bisected with an interlude and applaud along with the locals whenever the hero shows up on screen.
With its pink Art Deco-inspired exterior made up of waves and asymmetrical shapes, the Raj Mandir is a symbol of Jaipur, a city laid out beautifully from its founding in the 18th century.
It opened in 1976, seats around 1,200 and usually fills up. With ticket prices around Rs100 (US$1.90), this won't be your most luxurious movie outing, but it will definitely rank among the most memorable.
Ashok Nagar, Jaipur, Rajasthan, India; +91 141 260 5267
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4. Kino International, Berlin, Germany

Kino InternationalThere's beauty in the straight lines and right angles.

A remnant of the Cold War, Kino International dates back to Germany's socialist period. Today Kino International boasts a well-rounded art-house program and hosts a strong list of premieres, festivals and parties.
The movie theater is situated along Karl Marx Allee, where entire blocks of buildings carry heritage status and are protected by the Denkmalschutz in Berlin.
This heritage status means that the outside façade of Kino International, along with its interior furnishings, cannot be altered.
33 Karl-Marx Allee, Berlin 10178, Germany; +49 030 24756011; www.kino-international.com

5. 4DX, Seoul, South Korea

4DX theaterAll the latest in movie technology housed in one theater.

4DX bills itself as the first 4-D movie theater in the world that screens studio releases, taking 3-D movies to the next level by introducing movement and scent, as well as wind and water effects.
Sitting through amusement park-type effects for such a long time may not be suitable for everyone, and people with heart disease, back pains, pregnant women and children under one meter are discouraged from entering.
4DX aims to “free” the moviegoer by connecting with the characters on screen, placing them into the shoes of the protagonist by feeling what he feels.
4DX theaters are now part of 14 CGV locations all over Korea. Tickets for the 4-D screenings start at ₩14,000 (US$12).
4DX CGV Theater in Gangbyeon; 10F TechnoMart, 546-4 Guui-dong, Gwangjin-gu, Seoul (서울특별시 광진구 구의동 546-4 테크노마트 10층); 1544-1122 (Domestic calls only); www.cgv.co.kr
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6. Uplink X, Tokyo, Japan

Uplink XOnly in Japan can space constraints be sold as a plus.

Uplink X calls itself the smallest movie theater in Japan, with 40 seats. It's housed in a multipurpose building managed by Uplink Co. alongside Uplink Factory, a multipurpose theater space and Uplink’s café Tabela.
Its standout feature is its "social seating" plan -- the 10 various types of seats are not screwed into the ground, but can be moved around within the space, making the movie-watching experience more interactive and social.
2F, 37-18 Udagawa-cho, Shibuya-ku, Tokyo 150-0042, Japan; +81 3 3485 6821; www.uplink.co.jp
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7. Prasads, Hyderabad, India

PrasadsA multiplex can be interesting if it offers something new for moviegoers.

You might mistake Prasads as just another entertainment complex in Hyderabad -- but take a look at its cinema screen; it's the largest IMAX 3-D screen in the world.
Measuring 72 x 92 feet, and running since 2003, it receives more than 1,500 calls a day to the telephone booking line. 
Sydney may have the largest IMAX in the world at 97 x 117 feet, but throw in the 3-D technology and you get yourself on this list.
The biggest grossing films in IMAX 3-D for Prasads so far have been "Avatar," "The Polar Express" and "Harry Potter and the Deathly Hallows: Part 1."
NTR Gardens, LIC Division P.O., Hyderabad 500063, India; +91 40 23448888; www.prasadz.com
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8. Cine de Chef, Seoul, South Korea

seats in Cine de ChefNothing dissonant about pairing French-made seats with the latest Matt Damon thriller.

Korean movie theater company CGV claims another spot on this list with its Cine de Chef theater, which gives a luxury spin to the “dinner and a movie” concept.
Many other movie theaters also provide food and beverage options to moviegoers, but Cine de Chef stands out with its upscale French-Italian cuisine, courtesy of a former Park Hyatt chef.
After dinner, patrons can relax for the duration of the movie in the Quinette Gallay seats, specially designed for Cine de Chef. The seats are by the same people who make private movie theater seats for United Arab Emirates royalty.
This meal and a movie doesn’t come cheap, however; prices start at ₩38,000 (US$34) for a lunch and a movie ticket. The dinner prices start at ₩60,000 (US$53).
B5 CGV Apgujeong, 602 Sinsa-dong, Gangnam-gu, Seoul (서울특별시 강남구 신사동 602 CGV압구정 지하5청); +82 2 3445 0541; www.cinedechef.com 

9. Secret Cinema, Worldwide

audience at Secret Cinema eventEven the term "movie theater" is now a malleable term.

This may be stretching the concept of the movie theater since Secret Cinema does not host events in a single physical space -- the location is determined by the movie screened.
Secret Cinema is a London-based group that organizes monthly movie events shrouded in mystery. Patrons are told not to reveal the location or even the movie screened.
Once you register, you are told the day of the screening to gather at a predetermined location. From there hired actors put on a live-action version of scenes from the movie before the finale, a theatrical showing of the movie itself.
Tickets from US$50; +44 0207 739 6055; www.secretcinema.org

10. The Castro Theatre, San Francisco, United States

The Castro TheatreSometimes old school is still cool.

The term “movie palace” was coined to describe the elaborately designed theaters that sprung up in the first half of the 20th century in the United States.
Opened in 1922, the Castro Theatre is one of the last vestiges of that bygone era still in operation. Its Mexican cathedral-inspired façade continues to captivate tourists and moviegoers.
With the decadence of its lobby and auditorium, and the attention to detail in the wet plaster motifs on either side of the screen, the Castro presents simply what new technologies are attempting to mimic -- the pleasure of the movie-watching experience.

world bank

record in bomb-suit run

HONOLULU, Hawaii (Sept. 23, 2013) -- Explosive Ordnance Disposal officer 1st Lt. Ashley Sorensen set a new world record Monday running a mile while wearing a fully functional bomb-disposal suit weighing more than 75 pounds.

Sorensen's time of 11 minutes, 6 seconds, bested the existing record by more than two minutes. Pending review and formal validation by the Guinness Book of World Records, it will become the official record for fastest female one-mile run in anExplosive Ordnance Disposal, or EOD, bomb disposal suit.

Sorensen is a member of the 303rd Explosive Ordnance Disposal Battalion, 8th Military Police Brigade, 8th Theater Sustainment Command, based out of Schofield Barracks, Hawaii.

"Whenever EOD goes out in the bomb suits for a manual approach, it's really important that we're able to work and sweat in the suit and still be able perform," Sorensen said. "So making it a competition when we train helps with that. Running a mile like this is definitely a challenge."

The Milwaukee-native compared the run's physical and psychological intensity to the final miles of a marathon.

After an 18-month process of training and planning for the record-breaking attempt, she said,

"We finally did it, it feels awesome, and I really appreciate everybody coming out for it," she said.

Sorensen graduated from the United States Military Academy at West Point in 2010, and she currently serves as her unit's executive officer. She made her record run on the University of Hawaii-Manoa track.

NASA

NASA's Spitzer Images Out-Of-This-World Galaxy

Aug. 5, 2009 — NASA's Spitzer Space Telescope has imaged a wild creature of the dark -- a coiled galaxy with an eye-like object at its center.

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The galaxy, called NGC 1097, is located 50 million light-years away. It is spiral-shaped like our Milky Way, with long, spindly arms of stars. The "eye" at the center of the galaxy is actually a monstrous black hole surrounded by a ring of stars. In this color-coded infrared view from Spitzer, the area around the invisible black hole is blue and the ring of stars, white.
The black hole is huge, about 100 million times the mass of our sun, and is feeding off gas and dust along with the occasional unlucky star. Our Milky Way's central black hole is tame by comparison, with a mass of a few million suns.
"The fate of this black hole and others like it is an active area of research," said George Helou, deputy director of NASA's Spitzer Science Center at the California Institute of Technology in Pasadena. "Some theories hold that the black hole might quiet down and eventually enter a more dormant state like our Milky Way black hole."
The ring around the black hole is bursting with new star formation. An inflow of material toward the central bar of the galaxy is causing the ring to light up with new stars.
"The ring itself is a fascinating object worthy of study because it is forming stars at a very high rate," said Kartik Sheth, an astronomer at NASA's Spitzer Science Center. Sheth and Helou are part of a team that made the observations.
In the Spitzer image, infrared light with shorter wavelengths is blue, while longer-wavelength light is red. The galaxy's red spiral arms and the swirling spokes seen between the arms show dust heated by newborn stars. Older populations of stars scattered through the galaxy are blue. The fuzzy blue dot to the left, which appears to fit snuggly between the arms, is a companion galaxy.
"The companion galaxy that looks as if it's playing peek-a-boo through the larger galaxy could have plunged through, poking a hole," said Helou. "But we don't know this for sure. It could also just happen to be aligned with a gap in the arms."
Other dots in the picture are either nearby stars in our galaxy, or distant galaxies.
This image was taken during Spitzer's "cold mission," which lasted more than five-and-a-half years. The telescope ran out of coolant needed to chill its infrared instruments on May 15, 2009. Two of its infrared channels will still work perfectly during the new "warm mission," which is expected to begin in a week or so, once the observatory has been recalibrated and warms to its new temperature of around 30 Kelvin (about minus 406 degrees Fahrenheit).
NASA's Jet Propulsion Laboratory, Pasadena, Calif., manages the Spitzer Space Telescope mission for NASA's Science Mission Directorate, Washington. Science operations are conducted at the Spitzer Science Center at the California Institute of Technology, also in Pasadena. Caltech manages JPL for NASA. Spitzer's infrared array camera, which made the observations, was built by NASA's Goddard Space Flight Center, Greenbelt, Md. The instrument's principal investigator is Giovanni Fazio of the Harvard-Smithsonian Center for Astrophysics.

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